Valria Valenssa

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To the measure that the man was taking conscience of itself and perceiving that he could manipulate the nature and the other men, and with the bad use of this power, it had the necessity of one I take refuge against the cold reality, since paintings in the msticos caves, drawings where the impossible one was reached, the cult the beauty (aesthetic) etc. Thus history follows until arriving a moment where it is not had for where to go, and the skill is to deny everything what already it was affirmed, to go of meeting with what it left of being newness, or commercial interest: ' ' we do not go more speech of the beauty, the fashion now is to speak of feira! Every day the television is printing inside of our houses ' ' vinhetas' ' novel openings with digital, virtual effect and in space 3-D, showing corporal performances: simulacro of the body. In the present time ' ' artista' ' of the televising media it is Hans Donner, the inventor of the mulata globeleza Valria Valenssa, married that it and at the same time it transformed it into virtual mulata and symbol of the Carioca carnival. In a corporal, technological magician, unknown and creative miditicas for the Brazilian television. Creature and creator integrate the virtual one. The extreme exhibition of the body makes with that let us not perceive its true importance, arriving at the maximum vulgarity and depreciation of what the maximum expression of the individual would have materially to be considered speaking. The desperation to continue being the center of the attentions arrives in such a way, that the citizen if submits the requirements of the market and what could be called art finishes being only a product, result of the society mentally ill contemporary.

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